Play Along Piano

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Opera

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
	18	17	4	3	88%
Violoncello (Continuo)	9	0	2	3	88%
Cembalo (Continuo)	3	0	0	1	31%
	15	9	2	3	44%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

N° 38. See my many coloured fields.

FranckM.

2:04	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	26	7	8	100%
	20	10	4	7	94%
Ténor	12	0	2	7	65%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	26	7	8	100%
	20	10	4	7	94%
Ténor	12	0	2	7	65%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
B	12	0	2	8	63%
T	14	0	3	8	62%
A	11	0	1	8	28%
S	13	0	2	8	28%
g	2	0	0	1	26%

Phantom of the Opera

bakpak2hvy

2:08	Est. Play Time
58	Measures
	3,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
C Tuba	14	5	5	2	100%
Contrabass	12	0	5	2	100%
Violoncello	14	0	5	2	100%
Tubular Bells	14	8	2	7	96%
Horn 3 4	22	15	10	5	81%
Trombone	18	15	7	5	77%
	19	0	6	5	77%
Violin 1	20	0	4	5	77%
Viola	21	7	8	5	74%
Oboe 1	19	5	7	5	70%
B Clarinet 1	21	0	6	5	67%
B Clarinet 2	21	15	8	5	67%
B Trumpet 1	18	0	7	5	67%
Horn 1 2	17	0	6	5	67%
Violin 2	22	11	6	5	67%
B Trumpet 2	17	15	8	5	65%
Flute 1	21	0	7	5	63%
Flute 2	21	16	8	5	63%
Glockenspiel	21	12	8	5	61%
Timpani	5	0	1	4	14%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
Bass	16	10	3	12	85%
Tenor	13	9	2	11	80%
Alto	11	0	1	10	79%
Soprano	19	2	3	9	78%

TRAVIATA de Verdi : Chœurs Partie 10/10 Baccanale

Papibois

0:48	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
Bass	11	1	2	5	100%
Soprano 1	14	0	2	5	100%
Soprano 2	13	0	3	5	100%
Tenor 1	14	0	2	5	100%
Tenor 2	13	0	3	5	100%

N° 13 - "Presto presto pria chei venga" . Don Giovanni - Orchestral

FranckM.

4:45	Est. Play Time
173	Measures
	3,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

HWV1N17vEJM - "Nein, Osman muß, was er versprochen"

edward.maurath

0:17	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
Harpsichord	11	7	3	2	83%
	12	6	3	2	100%
Organo	11	7	3	2	83%
	12	6	3	2	100%
Consalvo	12	0	2	4	100%
Continuo	6	0	2	2	100%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV5A1N2 "petto col fulmine del cielo"

edward.maurath

0:06	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
Violoncello (Continuo)	7	0	1	2	100%
Florinda	7	0	1	5	67%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%